Ima
Hogg returned to Houston in October of 1908, having reached a life-changing
decision. Somewhere along the way, this intrepid, talented young woman, who had
been aiming for a career as a concert pianist since she began her studies in
New York in 1901, who had studied with fine teachers in Europe, decided that
the concert stage was not for her. Did a teacher discourage her? Did she decide
for herself? No one knows.
A
close friend of Ima’s said that Ima once told her that she regretted having
small hands, because they limited her keyboard reach. Although she came home
with “a bone-crushing grip,” as one friend said, Ima feared that no matter how
much she practiced, no matter how fine her technique, she could be a good
pianist, but never a great one.
But
she said years later to another friend, “The great sorrow of my life is that I
was never a concert pianist.”
When
Ima was ninety-two, recording an interview for an oral history project, she had
a different view: “I studied in Europe, with very great teachers, and they all
encouraged me to become a professional concert pianist. I never wanted to do
that.”
What
did she want?
No comments:
Post a Comment